![]() I was surprised by it, as well, because usually that’s not the direction things like this go in. “Not showing that, I felt that to be a very classy choice. Slater commends creator Alexandra Cunningham’s decision to focus on the psycho-drama elements between the acrimonious couple versus the murders. Ultimately, the show did not depict the bloody crime, and the season finale, which aired Tuesday, focused mostly on Betty’s courtroom cases. “Charles Boyer was in my brain a lot while we were making this.” Really putting a woman in that kind of position where she needs to question every possible thing is - it’s just torturous,” he observes. It’s one of those stories where there’s just so much psychological insanity going on and so many lies being told. Incidentally, before he signed onto the project, Slater says he had rewatched the seminal 1944 psychological thriller “Gaslight,” starring Ingrid Bergman and Charles Boyer, which helped him tackle the role of a manipulative husband. The show is based on the tumultuous real-life divorce between Dan Broderick (Slater) and his wife Betty Broderick (Amanda Peet), and the subsequent tragedy in which Betty killed Dan and his new wife, Linda. The prolific film and TV actor had a chance to revisit the past with USA Network’s “ Dirty John: The Betty Broderick Story,” the 1980s-set second season of the “Dirty John” series. “But now it might be, ‘Who cares, because everybody’s got a podcast,’ and that was like the original underground podcast before any of this stuff was going on.” “I think it’d be fun to re-examine, like, what the heck happened to Mark Hunter? Where is the kid that had the pirate radio station?,” he says.
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